“Repetition in the Theatre in the Archive.” Seminar: Performing Repetition, Shakespeare Association of America Annual Meeting, Denver, April 1–4
“After/Before.” Seminar: Climate Fictions Before Climate Change, American Comparative Literature Association Annual Meeting, Montréal, February 26–March 1, 2026
“Speaking for/as/before Others: Playing Thomas Nashe’s Summers Last Will and Testament.” Nashe and Voice conference, St John’s College, Camnbridge, January 9–10, 2026
“Climate and Collectivity in John Heywood’s Play of the Weather (1533).” Association for the Study of Literature and Environment Biennial Conference: Collective Atmospheres, Virtual, July 17–18, 2025
“Props and Bodies in The Spanish Tragedy.” Revels Office: New Voices in Early Modern Material Culture, Theatre, and Performance conference, Revels Office & Society of Antiquaries of London, June 13, 2025
“Early Modern Theatre and Abstract Space.” Renaissance Discernment: Cultures, Contexts, Practices, University of Lausanne, June 6, 2025
“How to Get Bloody on the Early Modern Stage.” Next Generation Plenary (NextGenPlen) panel, Shakespeare Association of America Annual Meeting, Boston, March 19–22, 2025
“Blood as Prop: Material Challenges (& Conceptual Bartering?) in Tamburlaine, Part 1.” Marlowe Society of America Conference, Deptford, London, July 9-12, 2024
“’Enter the Vice’: Sixteenth-Century Vice Characters in Performance.” Page, Performance and Culture: Early Modern Drama Colloquium, University of Sheffield, June 12, 2024
“On Making Mistakes.” Seminar: Shakespeare and Textual Failure, Shakespeare Association of America Annual Meeting, Portland, OR, April 10-13, 2024
“Embodying Judgment in Respublica (c. 1553).” Renaissance Society of America Annual Meeting, Chicago, IL, March 21-23, 2024
“Past without Performance: Early Tudor Drama, Performance History, and Aesthetic Equivalence.” Society for Renaissance Studies Biennial Conference, Liverpool, July 19-22, 2023
“Dramaturgies of Doubt and the Suspension of Judgment in Romeo and Juliet.” Doubt: Oxford English Graduate Conference, University of Oxford, June 2, 2023
“Counting Lines: Dramaturgy, Data, and Close Reading.” Seminar: Counting (in) Early Modern Drama, Shakespeare Association of America Annual Meeting, Minneapolis, MN, March 29-April 1, 2023
“Empathy and Judgment in Shakespeare’s Legal Plays.” Northeast Modern Language Association Annual Convention, Niagara Falls, NY, March 23-26, 2023
“Judgment (All Bangers All the Time).” Seminar: Values for Theory, American Comparative Literature Association Annual Meeting, Chicago, IL, March 16-19, 2023
“Judging Character in Richard Edwards’s Damon and Pithias.” Renaissance Society of America Virtual Meeting, November 30-December 3, 2022
“Before Closet Drama: Jasper Heywood and Translation as Genre.” In and Out of the Closet: New Perspectives on Early Modern Closet Drama, Sorbonne Nouvelle & ENS de Lyon, Paris, November 25-26, 2022
“Dramatic Form(s) in the Virtual Classroom.” The Uses of Form: Theory – Methodology – Pedagogy, University of Cologne & BACLS, July 21-22, 2022
“Writing Location in Medwall’s Fulgens and Lucres.” On Location: Material Space and Literary Production c. 1500-1651, University of Oxford, June 23-24, 2022
“Conversation, Space, and Communities of Judgment in Tudor Drama.” Conversation(s): English Oxford Graduate Conference, University of Oxford, June 3, 2022
“Audience & Judgment in Early Tudor Drama.” Judgment: A Comparative Performance History, Université de Lausanne, May 13-14, 2022
“Translating Verona, Translating Form: Adapting ‘Romeo e Giulietta’ from Bandello to Shakespeare.” Renaissance Society of America Annual Meeting, Dublin, March 30-April 2, 2022
“Theory, Identity & the Politics of Reference.” Identity Politics and the Study of Literature, CUSO, March 26, 2022
“Violence and the Adaptation of ‘pietas’ in Jasper Heywood’s Translation of Thyestes (1560).” Adapting Violence in/from Classic Texts, University of Bern, March 24-25, 2022
“Constructing Home in Early Tudor Interludes.” Home and Early Modernity, London Shakespeare Center & Shakespeare’s Globe, February 25-26, 2022
“Judgment.” Theoretical Futures: Shakespeare Association of America Graduate Symposium, February 21, 2022
“Theory and Love in Jeffrey Eugenides’ The Marriage Plot and Dionne Brand’s Theory.” Theory in Literature, Junge Akademie/Berlin-Brandenburg Academy of Sciences and Humanities, September 17-18, 2021
Patrick Durdel 